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Women in horror films essay

women in horror films essay

of horror as far as the male look is concerned" (Jancovich 63). This help to fuel the debate more significantly as the selected films span a time when women in the real world (as opposed to the constructed world of the cinema) had made great steps toward equality through the feminist movement. The writer of this online essay relates her arguments to one of the books in my resources, Men, Women and Chainsaws. This suggests that the ownership in the context of cinema is the cause of the effect that the viewer, by objectifying the figure on screen, gives it new meaning, a new social place. The horror film makes good use of the abject. Its premise involves an innocent holly downs thesis usfws young girl named Regan McNeil who displays abnormal behaviour in the middle class American home she shares with her mother and house keeper. Mulvey states this as a symbolic equation, woman sexuality.

People assume that rubric for 6th grade essay horror film exclusively represent women in a reactionary fashion, but further analysis has suggested that female characters are not as weak and vulnerable as they first may appear. Though the viewer has no control over the events projected before them, the unpleasant acts witnessed by the spectator can comfortably be dismissed when the credits roll and the film is over. The scene is portrayed as a perfect afternoon until the group drives into a deserted part of Texas. The movie begins on a simple, long country road trip that would usually be the perfect way to spend some time with a group of five friends. By simply being viewed, new rules apply. In some horror films, females are often asked to bear witness to their own powerlessness in the face of rape, mutilation and murder (Jancovich 61). Presenter: For this presentation I have chosen to research and discuss how the roles and representation of women in horror and slasher films has developed since the 1960s.

Films associated with the horror genre have also been noted to objectify and sexualize women through the camera.
As pointed out by Jackson.
Horror films have always been more attractive to the male viewer than to the female viewer.
In Linda William's essay "When the Woman Looks she says that "there is not that much difference between an object of desire and an object of horror as far as the male look is concerned" (Jancovich 63).
The original horror films Carrie and The Exorcist were filmed in the 1970s, a time where the second wave feminism has been cultivating in society.